Showing posts with label Kevin Wiggers. Show all posts
Showing posts with label Kevin Wiggers. Show all posts

Architectural Digest Home Design Show



Kevin has just received word that his Chevron Console has been accepted into this year's Architectural Digest Home Design Show.





His console will be part of a group exhibit at The Furniture Society's display.



This Chevron Console measures 30" long x 6" deep x 6" high. It has been crafted from quarter cut Wenge panels that have been compound mitred to create a seamless monolithic structure. It is wall hung by means of a French cleat that is recessed into the back face.


It is a great honour for Kevin to be participating in this event, because his piece will be displayed alongside the works of distinguished furniture makers such as Garry Knox Bennett, Wendell Castle , Michael Fortune , Vladimir Kagan , Silas Kopf, John Makepeace, Judy McKie, Po Shun Leong and others.

More details can be found in the attached link.


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The Executive Office - (Part 5) - Let the Furniture Making Begin!

Yesterday's post assessed the furniture designs for "JLT's" office from a Feng shui perspective. Today's post will focus on some of the actual furniture pieces being made.



These photos show the credenza that will be built into the corner behind the desk. The pedestal base will hold 2 banks of drawers, with each bank being 2 box over file. The file size on the left will be standard, with the files on the right being legal. All drawers will run on self closing Blumotion slides.



The credenza top is shaped to the actual contour of the wall, thanks to a template that was made during site measurements. Note the clipped corner that will accomodate the existing bridge piece in the wall corner on site.



The grain pattern of the top has a radiating pattern that runs perpendicular to the contour of the edge.



The focal point of "JLT's" office will be the desk top, which is a modified kidney shape that will be cantilevered off the wall on the right side. In these images Heath and Kevin carefully sand and fit over 250 pieces of mother-of-pearl inlay into the face of the East Indian Rosewood top. This is nerve wracking and labour intensive work, with zero margin for error.



After completing the mother-of-pearl inlay the top was flipped over to add an apron with an undercut bevel edge to the underside. In the image below Kevin is putting the finishing touches on the transition piece where the undercut bevel twists back to a vertical plane.





The desk nears completion - at least from a woodworking standpoint. Soon the sanding and finishing work will begin.



An end view of the desk, showing the cylindrical support column and the sweeping bevel edge.



The drawer pedestal on the desk is reinforced for bolting to the wall on site. Interior raceways have been provided to access electrical, telephone and data cable boxes, with all wiring to be completely hidden after the desk is fully assembled. The recessed plinth base will be clad in satin stainless steel.



A detail view of the top showing the mother-of-pearl inlay.



A close-up view of the bevel transition.

The video below gives a better perspective of the undercut bevel edge, as viewed from the underside.



Next: The Executive Office - (Part 6) - The Scotch Bar
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The Mosaic Desk

In the Summer of 2010 Kevin designed and built a custom desk with a mosaic inlay top.



Measuring 44" long x 24" deep x 34" overall height the legs, apron and frame are crafted from solid walnut.



The pullout keyboard tray is by Accuride.




The mosaic inlay pattern on the top combines East Indian Laurel, Angelim Fava, Walnut Burl, Cherry and English Brown Oak cut as geometric shapes set into a field of flat cut Maple.

This desk is numbered 2010-#023

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The Music Box made of Brazilian Rosewood Burl

Kevin was recently commissioned to make a keepsake box out of Brazilian Rosewood and Brazilian Rosewood Burl. He was provided with a very small sampling of each wood from a decades old inventory.

When I first saw this material I thought he was getting in way over his head. Although the Brazilian Rosewood looked normal enough, the burl was exceptionally thick since it came from resawn stock. I was concerned that the thickness variations would result in unanticipated twisting or warping.

But Kevin was undaunted, and the net result of his efforts are shown here.
Quite frankly, he did an outstanding job under very trying circumstances.


The exterior of the box is crafted from quartered Brazilian Rosewood with an inset of Brazilian Rosewood Burl. The inlay banding is Ebony and Satinwood, with solid Wenge corner beading.



As an added detail Kevin also inset the Burl into the underside of the lid, this time in a field of quartered Bubinga. The tiny enclosure at the back of the box hides the music mechanism.


Overall dimensions are 12-1/4" wide x 8-1/8" deep x 4-1/8" high.
This piece is numbered and signed 2010-#029
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Portage Cocktail Table

The Portage Cocktail Table is the third of three custom cocktail tables that Kevin designed in summer of 2009. This particular piece ended up as a variation of the Channel Cocktail Table design, except with an added drawer for storage.




Measuring 54" long x 21" wide x 16" oah the Portage Cocktail Table is crafted from a rare sampling of East Indian Laurel, which was sourced from my core stash of rare and vintage woods. The main body was set on a satin black lacquer plinth, with stainless steel offsets carefully inlaid into the top of the pedestal to support a tempered glass top.

Inset into the side of the table is a drawer for storage, with the drawer box itself being crafted out of dovetailed solid maple.

This Portage Cocktail Table is numbered 2009-#003, and is currently on display at the Industrial Storm showroom in Toronto.



A custom variation of the Portage Cocktail Table design is shown above (numbered 2010-#028), custom made as a pedestal base for a dining table. The 3/4" thick glass top was supplied by others.

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Channel Cocktail Table

In tandem with designing the Levee Cocktail Table described in the earlier post, Kevin also sketched out a series of ideas that would ultimately manifest as the Channel Cocktail Table.


The Channel Cocktail Table measures 54" long x 21" wide x 16" overall height. The main body of the table is crafted from a rare sampling of quartered English Oak veneer, which was sourced from my core stash of vintage woods.

The tempered glass top was set on offsets of satin stainless steel which were meticulously inlaid into the concave curve of the pedstal top.

This table was displayed in the Studio North area of the 2010 Interior Design Show (IDS10), which was also the first exhibition of Kevin's work.

It is numbered 2009-#002
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Levee Cocktail Table

In 2009 Kevin was entering the second year of the Industrial Woodworking program at Conestoga College. Since he was now familiar with the basics of woodworking and fine furniture making, he was now challenged with the task of designing and making a marketable piece of furniture.

The easiest thing to do, I told him, would be to simply design and make something cool in the hope that maybe it would sell. The more practical approach would be to research the market first to find opportunities in the things that were missing and in need of being made. With this in mind Kevin met with Gary Flaherty and Hanson Tan of the
Industrial Storm showroom in Toronto for ideas on what types of furniture he should be considering for his portfolio.

Kevin came out of that meeting with ambitions of designing some interesting custom cocktail tables, and the Levee Table became one of his very first creations.


The initial prototype was the Levee Table shown here, which measures 54" long x 21" deep x 16" high. The tapered wedges were made of bleached Zebrawood, resting on a satin black lacquer plinth. The tempered glass top was set on offsets of rubber and satin aluminum.

This table was numbered 2009-#001.
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The Chevron Console

Condominiums in Toronto and apartments in New York City are notorious for having limited amounts of space - especially near the entry.

To address this situation Kevin has designed a simple wall hung console that is both functional and easy to install.

The Chevron Console shown here measures 30" long x 6" deep x 6" high. It has been crafted from quarter cut Wenge panels that have been compound mitred to create a seamless monolithic structure.

A hidden recess at the back holds an aluminum French cleat to allow for secure mounting to a wall.

This console is numbered 2010-#021 and is signed (on the back) by Kevin.

An example of this wall hung console is currently on display at Industrial Storm in Toronto.
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The Backgammon Board

Kevin recently crafted a backgammon board out of Macassar Ebony.



Measuring 14-7/8" long x 14-1/16" wide x 3" high this piece is made of 2 half shells that pivot open by means of inlaid SOSS hinges.



The board inlays are Cherry and Curly Birds Eye Maple veneer, and the exterior corner beads are solid 1/4" x 1/4" Cherry.



The game pieces are crafted from dyed Olivewood.

Kevin made his first backgammon board in the summer of 2009, while he was still learning the techniques of marquetry and inlay. After watching him work on this particular piece it's obvious to me that his experience and talent levels have both advanced significantly.

This Backgammon Board is numbered 2011-#002
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IDS11 - It's a Wrap !!!


Today was the third and final day of the Interior Design show (IDS11) . Once again the attendance was strong, and with some careful planning we were able to stretch Kevin's literature into the final minutes of the show - even if only barely.

The show closed promptly at 6:00 p.m., and that's when the real activity started with everyone busily packing up and clearing out their space. I was highly impressed with the speed and efficiency displayed by exhibitors vacating their spaces. I was even more impressed with the sense of community spirit and cooperation within Studio North, as exhibitors choreographed their efforts to also help each other with lifting and wrapping and sharing tools etc.

If the whole world worked this way, the whole world could work this way.

Kevin and I were packed up and on the road less than 2 hours after the show closed, and that was no mean feat considering that we had to dismantle and move some very heavy cabinetry from the show floor to the loading dock and into a mini-van.

All in all the response to Kevin's display was phenomenal, and we'll see in the coming weeks what develops in the way of leads.

In the meantime it's back into the shop tomorrow.
There's custom furniture to be made.


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IDS11 - Day #2 - Another Roar


Today was Day #2 of the Interior Design Show (IDS11). Where yesterday was professional trade day, today was the first of two weekend sessions open to everyone - including the public.

That said there was a different mix of traffic today, with more couples and families in attendance. Nevertheless the traffic flow through Studio North was intense yet again, and the following video clip will give an idea of some of the crowds.



Incidentally, this video was taken during one of the quieter times - when it got really busy I was helping Kevin answer questions.

In the grand scheme of things I'm glad we attended the opening night party, because that was the only time I got to see any of the non-Studio North exhibits.

(Not that I really care, because Studio North is where the coolest stuff is anyway.)
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Ay, Caramba - IDS11 Opens With a Roar !!!


O. M. G.

Before this year's Interior Design Show (IDS11) began I had a feeling that Kevin's display would generate some positive "buzz". The reality of opening day, however, blew my expectations right out of the water.

IDS11 opened with a roar, and within the first hour the aisles in Studio North were jammed with visitors. With little effort was Kevin creating traffic jams in front of his booth with demonstrations of his rotating T.V. cabinet.


Before the show began I told him he'd have to "keep that thing moving" to get people to notice his work. (I was concerned that his less-than-prime location might be a detriment to him getting seen). In reality, there were a few times I had to get Kevin to shut things down - just to get traffic flowing again and keep surrounding exhibitors from getting ticked off. It was mayhem - in a good way.

I truly lost count of how many times I heard the words "awesome" and "amazing" used to describe Kevin's work. Within the first 4 hours he had already gone through more handouts than he gave out for during the entire IDS10 show last year. At the rate things were going he'd have been out of literature by mid-afternoon, and we had to change tactics to only giving handouts to those who specifically asked.

Business News Network (BNN) interviewed him at one point, and a video cameo of him appeared on tonight's national broadcast on Global 57. (I won't repost it here because his face time was only about 10 seconds long, but it's in the middle of a 9 minute segment).

In addition to BNN there are also several design bloggers who have posted positive reviews of his work, including Remote Stylist, Bedford Brooks , Blogto , Mosaicworks , and Delectably Chic.

Long story short: Kevin had a magnificent day today, and I am so happy for him!

But 'my dogs are barking', my back is aching, and it's time relax with a pint.


Tomorrow will be another long one as day #2 of IDS11 gets under way.
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Alvin Toffler Foresaw Mass Customization

While studying economics at university in the early 1980s I read a book called "The Third Wave", which was written by a sociologist and futurist by the name of Alvin Toffler. "The Third Wave" was a sequel to Toffler's earlier book "Future Shock", which was first published in 1970.



"Future Shock" contended that humans and societies were about to experience massive structural change, as part of a revolution from being an industrial society to a super-industrial society. "The Third Wave" expanded on this analysis by describing three types of human societies in the form of waves.

The First Wave is the settled agricultural society, which replaced most earlier hunter-gatherer cultures.

The Second Wave is the Industrial Age society, which first began in Western Europe with the Industrial Revolution. Key elements of the Industrial Age are the nuclear family, and the factory-type education system and the corporation. Of this, Toffler went on to say:

"The Second Wave Society is industrial and based on mass production, mass distribution, mass consumption, mass education, mass media, mass recreation, mass entertainment, and weapons of mass destruction. You combine those things with standardization, centralization, concentration, and synchronization, and you wind up with a style of organization we call bureaucracy."

So far all of this sounds very familiar.

The Third Wave is the post-industrial society. Toffler says that since the late 1950s most countries have been transitioning from a Second Wave society into a Third Wave society. He coined many words to describe it and mentions names invented by others, such as the Information Age.

The one thing that really stood out from me when reading this book was the term "mass customization". And as part of the shift from mass manufacturing to mass customization Toffler said we would see greater personalization, customization, informationalization, democratization and humanization of everything.

Mass customization enables cheap production of personalized products catering to small niches. In other words, production runs of one-of-one will become ever more viable and prolific every single day.

In my mind there is no question we are seeing more and more evidence of this, as the large scale factories and assembly lines of yesteryear are progressively shuttered and mothballed while small-scale entrepreneurs such as artisans and solitary craftspeople use information technology to leverage their way into competitive niches in the marketplace.

At this year's Interior Design Show (IDS11) it is clear that the future of design and craftsmanship will not be found at the big box retailers selling mass manufactured "stuff" from places like China. Instead, it will be found with the kind of work that innovative artisans and craftspeople are currently exhibiting at niche displays such as Prototype and Studio North.









Come to IDS11 to see the future of design and craftsmanship.



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IDS11 is Ready for Lift Off


Kevin is off to Toronto this morning to finish setting up for the Interior Design Show (IDS11) . After a feverish marathon session yesterday he also has some Press Kits to drop off at the Media Centre.

Meanwhile, I'm off to the shop to focus on some of the more mundane things in life, such as the actual making of custom furniture.


In today's installment of relentless promotion I am showing a detail photo of one of Kevin's mosaic inlay panels. Kevin has cut each inlay by hand, and what I find most amazing is that he doesn't even work from a drawing when creating these panels. He simply starts with one segment and then intuitively decides what size, shape and wood species the next one will be, etc etc etc until a finished panel is created - much like you see here.

At one point he did try to optimize the process by using standardized shapes and templates, but the end result (although faster to make) ended up looking too uniform and "engineered". I encouraged him to revert to his original method of doing this free hand which is, frankly, brilliant both in design and execution.

A mobile video showing the recently completed display has recently been uploaded to Youtube. Please excuse the poor audio, since there is still a great deal of background noise as other exhibits are still being completed.


As you can see a large example of Kevin's mosaic inlay will be featured as a rotating panel on the media cabinet.

It will be on display in Studio North booth SN-42 for the next 4 days.

Meanwhile, IDS11 opens tonight with a gala bash called "All You Need is Love".

Kevin and I will be there to enjoy some fun before IDS11 ramps into high gear tomorrow morning with Professional Trade Day.
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Lamborghinis at the Car Show

Yesterday I helped Kevin set up his booth at the Interior Design Show (IDS11) . By the time we were done some neighbouring exhibits had been set up as well, and it was a pleasure to see other examples of well designed and fine quality work.



As we drove home I told Kevin that his media cabinet would likely garner its fair share of "buzz" and attention this weekend. However, I also pointed out that he shouldn't get his hopes up too much with unrealistic expectations of making a sale.



The reason, I explained, was that examples of fine quality craftsmanship at a show like this are like Lamborghinis at the Car Show - everyone wants to look and kick tires, but the real buyers are the rarest of breeds.

Our discussion reminded me of an old cartoon strip called "Sally Forth" which I saved back in 2002. It remains relevant because of how well it explains the general buying psychology in today's furniture market.


Nevertheless, I am very confident that Kevin will connect with some seriously interested potential clients this weekend. And even if only a handful of these contacts result in tangible projects in the coming years, he'll have done exceptionally well with this show.





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Kevin Wiggers - Portfolio of Work

Kevin has been making fine furniture on a full time basis for less than a year now, and he's made some remarkable accomplishments.



This Levee Table was Kevin's first design. It was created in 2009 while he was still in school. Crafted from Bleached Zebrawood and satin black lacquer, the glass top rests on aluminum and rubber offsets. It's numbered 2009-#001.




The Channel Table was made from quarter cut English Oak, selected from a rare stock of Vintage veneer. This table was first exhibited at last year's IDS10, and later at the "Faculty Selects" exhibition at the M.I.T. campus in Boston. 2009-#002.




The Portage Table is made of highly figured East Indian Laurel set on a satin black lacquer plinth. The drawer is dovetailed solid maple. 2009-#003.


The Portage Table design was subsequently customized to create a dining table base, with satin stainless steel offsets to support a 3/4" glass top. 2010-#028.






This desk was a custom commission with apron and legs crafted from solid natural walnut. The mosaic top pattern was meticulously crafted by hand, with 6 different species of wood individually cut and fitted together. 2010-#023.






The Aquaria Console Table has a solid walnut apron and base, fitted together with mortise and tenon joinery. An inset drawer of solid dovetailed maple is discretely concealed in the apron at one end. The floating top is made of figured Crotch Walnut that has been polished to a high sheen. 2010-#016.





Kevin crafted this music box out of a rare stock of vintage Rosewood and Rosewood Burl veneer, which was inlaid with Ebony, Satinwood and Wenge. His attention to detail extends to the inside of the box as well, with an inlay on the underside of the lid. 2010-#029.



As suggested in yesterday's post, please visit the Interior Design Show (IDS11) to meet Kevin and see his most recent creation. Kevin's display will be in Studio North, booth SN-42.


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